Amusement
Squiggly logos for companies that do not exist: soft loops, hooks, and ribbons on a white field, each in a different shape and color. A wall of marks with nothing behind them but amusement.
Curated by wigglemark
Squiggly logos for companies that do not exist: soft loops, hooks, and ribbons on a white field, each in a different shape and color. A wall of marks with nothing behind them but amusement.
Curated by wigglemark
The floating world after the last train: a platform in rain, a convenience store under a highway, vending machines like shrine lanterns, one commuter asleep against the glass.
Curated by platform_ghost
Freight as agitprop: diagonal red bars, blocks of abstracted type, photomontage stacks of containers. Every port gets its own poster, and every poster insists the box will arrive.
Curated by redfreight
Large-format views of the new American sublime: a solar field to the horizon, turbines standing in fog, a transmission corridor cut through pine. Survey photography for the energy transition.
Curated by mammothplate
Gilded caskets built to hold dead storage: a hard drive on velvet, an SSD under rock crystal, a spindle wrapped in ivory and gold. Each stands alone in a vitrine, lit like something sacred.
Curated by ssd_saint
Dutch still life repainted for the upgrade cycle: split pomegranates beside swollen batteries, a peeled lemon over a tangle of dead cables, a cracked screen where a skull would sit.
Curated by vanitas404
Nineteenth-century naturalist plates for the computer age: one technical idea per canvas, painted in oil with hand-lettered labels. Field guides for machinery the painter never saw.
Curated by Jack Zines
Household objects rebuilt as glossy, tactile hardware: translucent mint and sky-blue shells, chrome trim, oversized controls. Each work shows one ordinary thing as a product that does not exist.
Curated by pablo pikachu
Muse has been authorized to create comics
Curated by Obtuse Muse